i belong in this milk and honeyed place, this gentle story i’ve crafted for myself, where no-one raises their voice except in giddiness and joy, and there’s just the right amount of sweet solitude that doesn’t slide into dangerous isolation. there are no hard edges or sharp corners in the places I belong, only soft warm blankets and smooth printed pages, and ink that flows on both palette and paper.

i belong beside the ocean, in the thunderous crash of saltwater on sand; a place to settle my thoughts when my powerful emotions frighten even myself. i inhale and exhale with the push and pull of the tide. it is not in the stillness of the sea that i belong, but in its deep and terrifying roar.

i belong inside the day-lit dreams that offer respite from the reality of pain and overwhelm, cradling the first of many hot teas in my favourite mug and imagining a different sort of day ahead in the moment before i swallow the cocktail of pills (in the way my grandad taught me when he witnessed the panic of my throat closing against them), that allow me to function.

i belong here in the country that is often but not always home, yet it and its people adopted me despite my yearning for the other country, for i belong there too. i belong in the house that frequently needs mending, beside the man who loves me no matter the cost, or squashed beneath the long-limbed teenage daughters who still want to hug and sit in my lap, and the oversized dog who thinks she belongs there too.

PPNC August – Belong

Checkout Gypsy Journalista for more August prompts!



alphabet soup

i am an acronymous and inedible alphabet soup of mental illnesses and syndromes and disorders. i wish it wasn’t so but what it is, it is, and today i scooped the letters into a pile on the table before me and built a wall around them with my two arms, the way a small child protects the toys he doesn’t want to share, and tried to make a new word from them, a word that was mine and made sense. but no matter the cerebral acrobatics i performed, there were still too many consonants and not enough vowels, which was somewhat disappointing and made my head ache, so instead i made a palindrome.

Paint Plan and Chronicle Cover
Paint Plan and Chronicle – July

Want to make your own Paint, Plan and Chronicle planner using an altered composition notebook? Go see Suzi Blu’s How To videos here.



found things

i found a feather today and thought to bring it to my daughter who collects the things she finds along her path and presses them in her journal, but then i looked closely at it and wondered how could i lay such an offering before someone i loved so dearly, with its dirt and dark grey brown-ness, weighted to the uneven patchwork of the patio by heavy rains. they say that to find a feather on your path is to receive an answer or confirmation to the question you’ve been seeking and all i can think is if this dirty matted thing is my answer then i worry about the state of my mind.

i want to happen upon vibrant, clean, smooth feathers and tumbled turquoise sea glass, a whole and sturdy pine cone or a blossom, pink and perfectly petalled. i could make a mandala of those pretty trappings and construct an agreeable caption as proof of a magical life lived, which i’m sure is true for someone somewhere in the world today, but the coastal paths i walk deliver only the gifts of lazy dog walkers and chewed gum, and even if i grubbed around in the dirt of my garden for hours i would unearth no more than chips of concrete or a tulip bulb that failed to start or the roots of a flower no longer flourishing because my thumbs are soot, not sage in colour, and the things that grow here do so in spite of me, not because of me. there’s a wrangling of robust vines and hardy shrubs, fighting for space across the graves of lost pets and i can no longer tell which is winning, though i’m not sure it matters much as long as there is green and there is life.

there is green and there is life, and though i may not make a mandala of pretty things, or even the unlovely, the unruly or the feathers of dirt and dark grey brown-ness, i can gift them to my daughter who collects mementos and know she will make space for them beside her pressed petal assemblages, and i can weave poetry from the sticks and stones and broken bones of words they said would never hurt me and we will speak endlessly and openly about them for there is value in the things that fall apart too.

journal page
Journal page by Piper Maru

she is a landmine

she is a landmine that i haven’t yet learnt to defuse. weeks may pass, sometimes months where i tread my terrain with ease, i dance a complicated choreography over, under and around those hidden munitions with precision-like timing. i’m the artful dodger, dodging artfully. as artfully as a dodger can dodge. on those days when i tell our story and sing the songs that were ours i do so with a melodious intonation. i’m a rockstar rocking in my rockstar car.

until i’m not. step and stumble and click. the radio torpedoes a song i’m not prepared for. i’m reminded again why i only listen to my playlists. playlists are predictable. i know what’s coming next. there are no latent surprises on spotify. i’d stopped listening to the radio the day i fell apart doing a hundred on the freeway, the freeway that didn’t exist when she did, because when she existed life here was small and there were no roads taking us away to other places. doing a hundred through the sting and blur of tears is chancy at best, an invitation to dance with death himself at worst and who’s to say that’s a bad thing.

my car was once a cocoon of cigarette smoke and fast food trash. she sat beside me, making waves on the warm breeze with the passenger window down. the scent of her, stale tobacco and impulse – the purple one – a blanket to tuck around and under me when the world threatened to unravel us both.

sometimes i spy her in my peripheral vision, but if i turn my head to ask her why, she dissipates into the upholstery and i figure it’s because she can’t really give me an answer that would readily satisfy me.

there are streets i can’t drive down. familiar streets where she waits for me in her long black coat and sad red-lipstick smile by the kerb i once collected her from on her way home from somewhere that belonged to another part of her life, a secret part that she kept from me because she had her reasons and it’s too late for me to ask her what those reasons were.

i can conjure so many things about her. the way she squinted when she smoked. the way she fell on me when we were both wrecked on the tequila with the tiny sombrero cap and told me that she loved me, that i was the sister she wished she’d always had and she smiled her sister-smile just for me. the way her hairspray smelled and made her hair crunchy and i could feel its coarse springiness on my skin when we bent our heads close in cahoots with one another, when we’d pass a pen and old notebook back and forth over cappuccinos paid for with the loose change we scrounged together, and tell our story to each other even though we both already knew it by heart.

i can conjure so many things, but her voice? her voice is nothing more than a whisper deep in the soft marrow of my bones that i can’t quite hear, saying, goodbye i’m going don’t try to stop me i won’t take you down with me your place is here.

I Wish
i wish we’d found art earlier. it might have saved you too.

this is the day i started to howl

i struggled to the surface and whispered good morning to a house whose rooms were empty and was grateful that last night i’d had the foresight to make overnight oats loaded with plump berries and shredded coconut and i’m on trend because my breakfast is made of superfoods,

because i really couldn’t be bothered to tend to my needs beyond a cup of tea.

that first eyes-closed sip always promises peace and bliss if only for the time it takes to swallow.

and as i pulled my tank top over my head i spied the cross that serves as a bullet-proof vest upon my fair skin, jesus at my shoulder for eternity, even when i don’t feel him.

i harvested vegetables that i did not have a hand in bringing to life. i’m afraid to taste them in case i plucked them from the plant too early. i am clueless in such matters. and they felt prickly, which put me off further and so instead of a fresh salad, lunch was nothing more than tipping cereal into a bowl with a splash of soy milk, and i did go back for seconds, not because i was still hungry but because i forgot to take a photo. i ate the second bowl anyway.

happy mail from daniel smith.

no, daniel smith happy mail from senior art. because sometimes i have to paint watercolours on crazy thin paper, and the only way around it is to make that paper toothy, and i will hopefully never buy the crazy thin paper journal to document my life ever again but i probably will because sometimes i just want the thing that everybody else has even if it’s not what i need.

and oh, botticelli, i love your work, but i’m afraid to paint you. i keep finding excuses to stay away and when i glimpse your roughly sketched out madonna, i flinch with guilt and back out of the room with the stealth of a disguised criatura (which is a word i stumbled across whilst reading about wild women).

and i thought it might be nice to pursue my wildish nature beyond a jesus-god sunset.

because i cannot be without it a minute longer.

i should probably start with the botticelli.

Photo and words for Full Circle workshop with Misty Mawn.

And me.

Botticelli painting in progress for Studying Under the Masters with Jeanne Oliver (Botticelli lesson by Jenny Wentworth).